The Powers That Be (
powersthatbe) wrote in
synodiporia_ooc2014-03-29 03:05 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
Test Drive #2
Welcome to the Synodiporia Test Drive Meme! Below the cut there are twofour new prompts, here and here are the prompts from previous testdrives, which you’re still welcome to use here. When you comment, be sure you specify what prompt you want to play with, and please put up your own threadstarter - it makes for a much more friendly environment that a forest of bare toplevels!
Prompt #9 gives a look at what it's like for everyone to be stuck in Liminal Space, & Prompt #10 is a chance to try your hand at being an infiltrator in our upcoming Noir plot.
Before you start, we’d like you to please take a quick look at the game’s Concept, its Rules, and the Liminal Space, Previous Universes, & Noir Plot pages, just to give you the background info you’ll need for some of these prompts. And if you’re looking for more information, the Directory is here and the Application page is here.
Prompts:
Prompt #9: Liminal Space
Today, if it's a day, Liminal Space has shifted again. It's twilight, and a moldering New Orleans graveyard, full of ornate gothic sepulchers, stretches in every direction, gray stone and wrought iron barriers sectioning it into smaller plots. Some of these mausoleums have been opened, and their insides don't match their outsides. Inside are well-appointed train compartments, dinner cars and sleeper cars and such, richly appointed and well lit, as if they come straight from the Orient Express. Out the windows, you can see the landspace whizzing by, although it's not the same landscape from one window to the next. You can feel the vibration of the train, the acceleration - but step out of the car and you're in a graveyard again, and inside the cars you can hear crickets and nightbirds singing and smell the rich aroma of flowering trees.
Also in the graveyard are a few scattered train-cars, but nobody's going into those - inside they're all dank spaces packed with decomposing bodies. There are small animals here and there outside - rabbits, birds, that kind of thing -- all of them dead, but none of them letting it keep them from their nightly routines. The crickets and nightjars are making train noises. Bemused travelers are finding comfortable spaces wherever they can.
Prompt #10: The Midnight Rose
It's half past nine and the joint is jumping. The shutters on the front window are down, the front door is locked, but there's a big mook with a shrewd look in his eye letting anybody with a black enameled rose pin on their lapel in through the delivery entrance, and the back room they're shown into doesn't look anything like a candy store. There's a small, dark bar in one corner, and in another corner six guys with strings and brass are making like they're the Duke Ellington orchestra. The floors are tiled parquet and a few couples are dancing, but most of the action's at the smoke-shrouded card tables where a dozen little private meetings are happening, gents and dames in pinstripes and fancy hats or beaded dresses and heels, but rarely both. There are card games and conversations going on, and who can say what's more high stakes? Tonight, this is the place to be, Bensonhurst outfit or Gravesend mob or anybody else who can pay the cover charge.
Prompt #9 gives a look at what it's like for everyone to be stuck in Liminal Space, & Prompt #10 is a chance to try your hand at being an infiltrator in our upcoming Noir plot.
Before you start, we’d like you to please take a quick look at the game’s Concept, its Rules, and the Liminal Space, Previous Universes, & Noir Plot pages, just to give you the background info you’ll need for some of these prompts. And if you’re looking for more information, the Directory is here and the Application page is here.
Prompts:
Prompt #9: Liminal Space
Today, if it's a day, Liminal Space has shifted again. It's twilight, and a moldering New Orleans graveyard, full of ornate gothic sepulchers, stretches in every direction, gray stone and wrought iron barriers sectioning it into smaller plots. Some of these mausoleums have been opened, and their insides don't match their outsides. Inside are well-appointed train compartments, dinner cars and sleeper cars and such, richly appointed and well lit, as if they come straight from the Orient Express. Out the windows, you can see the landspace whizzing by, although it's not the same landscape from one window to the next. You can feel the vibration of the train, the acceleration - but step out of the car and you're in a graveyard again, and inside the cars you can hear crickets and nightbirds singing and smell the rich aroma of flowering trees.
Also in the graveyard are a few scattered train-cars, but nobody's going into those - inside they're all dank spaces packed with decomposing bodies. There are small animals here and there outside - rabbits, birds, that kind of thing -- all of them dead, but none of them letting it keep them from their nightly routines. The crickets and nightjars are making train noises. Bemused travelers are finding comfortable spaces wherever they can.
Prompt #10: The Midnight Rose
It's half past nine and the joint is jumping. The shutters on the front window are down, the front door is locked, but there's a big mook with a shrewd look in his eye letting anybody with a black enameled rose pin on their lapel in through the delivery entrance, and the back room they're shown into doesn't look anything like a candy store. There's a small, dark bar in one corner, and in another corner six guys with strings and brass are making like they're the Duke Ellington orchestra. The floors are tiled parquet and a few couples are dancing, but most of the action's at the smoke-shrouded card tables where a dozen little private meetings are happening, gents and dames in pinstripes and fancy hats or beaded dresses and heels, but rarely both. There are card games and conversations going on, and who can say what's more high stakes? Tonight, this is the place to be, Bensonhurst outfit or Gravesend mob or anybody else who can pay the cover charge.
Prompt #3/ #7
No... he holds a vague memory of waking up in a place that made even less sense, of receiving an explanation that left him with more questions than answers. He was a bit vague on the answers he'd gotten too - the memory was pretty hazy.
He looks around for people he knew. Maybe someone had a better idea of what was going on.
no subject
In a moment, though, he catches sight of Armin and hastens over to offer his help. "Are you all right?" he asks softly, concern overcoming the evident alarm of waking up.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
10
After all, how often did he get the chance to try and sneak up on a mook?
He grinned broadly as he slipped behind him, gun in hand... before he brought it crashing down on the mook's head, letting out a satisfied noise as the big guy crumpled to the ground.
He could totally get used to this.
hi i come to ruin your fun
In other words: there's a Fool who isn't amused.
"Did you have to do that?"
No fair man. :P
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
9
That is what Faora could call this place. What she should call this place. Little she may know of the humans and their ways compared to the Son of El, but some things do not change from place to place.
Her Kryptonian armor shines in the dying sun of the day, her edge of her cape grazing the grass and the corpses. The insides of the mausoleums are curious to her, but she moves from one to the next, investigating.
Faora's expression is stoic, almost cold, as she observes her surroundings. This is not a place she would consider passable to call a new Krypton, or even an outpost.]
Re: 9
[Travelers are supposed to work together and trust one another. That's the idea. Tim is working on it - he's fine with the first half, but the second... there are people here who don't inspire him with faith in the common good. Actually, not many people do.
But, well. Some people investigate Liminal Space. And he investigates... people. This is like a friendly overture, if made more formal by the fact that he's got his working clothes on.]
(no subject)
(no subject)
(no subject)
prompt #5
A riot was brewing. A storm of untold fury about to be unleashed.
Part of her hesitated, the part that was still uncertain about these Jaunts and walking between strange worlds, but the part of her that had survived that village from so long ago, that had survived the loss of Raven (and his return), survived to become the White Rose, to lead an band of misfit mercenaries against the Lady and her empire, that part of her stood firm. Resolute. Fear would not break her. Not this time.
Still, standing stock still in the middle of a street was just begging to get caught up in this tempest. Her mouth drew into a thin line, brows knit in a frown over her wash-out blue eyes. She took a step backwards, one hand reaching up to tuck an errant lock of hair behind one ear as she felt the earth tremble. Another step. Another. The crowds were drawing closer, headed in her direction or so she thought. A backwards glance was cast over one shoulder; she could see the hotel behind her. Was that their goal? Or was there some other motive? She hadn't been in the city long enough to get a feel for the populace or the political environ.
A projectile sailed past her then, shattering upon the ground to her left and erupting in an explosion of fire and glass. The forerunners of the mob had caught up to her, a pair of them waving their arms defiantly and screaming curses. None of which she heard, but she understood the hostile gestures well enough. Nevertheless, while she didn't swear or outwardly make any sound of surprise, Darling flinched and pulled away from the direction of the impact. She needed to get going. Now. The magical null barrier that surrounded her wouldn't do a damn thing to stop mundane weapons or brawlers. Or those explosive weapons she'd seen people use upon other worlds.
Without another thought, she ran, sprinting full tilt towards the hotel and her belongings. She needed to get to them and get out. Everything else could wait. She could only hope that she'd reach the hotel before the crowd did and hopefully not mow someone down on her way there.
[ As a note, Darling is a deaf/mute so please be prepared for a fun game of charades (or the use of sign language if your character is proficient). Additionally, she's surrounded by a barrier of sorts that invalidates the magic native to her world, whether it affects anyone else is up to you. That said, even non-magical characters from the Black Company were able to feel its presence and remarked that it felt oppressive. ]
Re: prompt #5
Reversing direction, he caught up swiftly and then dropped down onto the pavement beside her. He could have just picked her up as he swooped overhead, but sometimes they fought against surprise rescues.
Not that dropping out of the sky into a run beside her isn't still alarming.
(no subject)
(no subject)
(no subject)
no subject
Making decisions was almost always easier than living with the results.
There was enough furniture in the lobby and enough hands around to start moving it, at least, and he'd gone into command mode quickly, getting the others who were close at hand to start pushing the couches up to the door and pulling anything else from the other rooms that might help them block off the windows. But the possibility of leaving anyone else stuck out there didn't sit well, and so he'd held off on having the last of the furniture slid into place - not until he'd opened the door, stepped outside, yelled at anyone close by to get the hell in there before it was too late.
And when he saw the woman sprinting towards the door, he knew that keeping it open long enough for her to get inside was going to be risky.
(But when had "risky" ever been enough to make a Wolf of Mibu back down?)
"Get the hell in here!" he bellowed, waving his arm in a motion as vehement as it was inviting. There was time. She could make it, if she was fast.
But if she wasn't, there were a lot of people inside that he couldn't afford to keep the door open on, either.
(no subject)
(no subject)
#10!
Though wearing the gown has the unfortunate side effect of attracting attention-- including the unwanted male kind. After all, Lightning's all dolled up, and the guys want a piece of that.
She's not having any of it though.]
No means no. Don't make me say it again, [is what she tells a particularly big guy who looks like he's in the mob, but she's honestly unimpressed at everything right now.]
no subject
Non.
(no subject)
(no subject)
no subject
Garrett is one of the ones in the pinstripes in the back, but the way the fedora sits on his head, it covers his right eye in a nonchalant slant, echoing the relaxed way he sits with his back to the wall. There's several other members with him, discussing things around him in low voices, turning to him for answers, to which he gives.
As for the little interruption going on up front, the mobster sits up a little, raising his voice just enough for them to hear.]
Alfonso.
[The man who's been giving Lightning a bit of trouble freezes slightly, before turning back to him. Garrett raises his right hand and shoos him, and Alfonso nods stiffly, stepping back and moving aside.
It's rather obvious Garrett's one of the high-ups in this place, and the people around him know it. He doesn't want trouble, and the way he settles back down makes it apparent that he's just content watching Lightning from this distance rather than talking with her face to face.]
(no subject)
(no subject)
(no subject)
(no subject)
#10
Keep calm, Nilin, keep calm, she almost whispered to herself, relaxing against the bar.
She had to keep the mission in mind. Her fingers drifted to her hip, splaying across the white intricately designed material of her dress. It matched the time period, well enough, and she was sure she could run in it if need be. It wouldn't get in the way of her fighting, she hopped. If it got to that point she could slip away and quickly put on her combat skin, her hunt glove if needed. That had already been planned out. Her other hand toyed with the ribbon at her throat which did well enough to camouflage her Sensen implant. She was waiting on contact with someone else who was to help her with this little mission. ]
Re: #10
Re: #10
#10
For right now he's played enough cards and talked enough business, he figures - so now he's sitting at the bar, taking stock of who is and isn't there and who's talking to whom. And, frankly, enjoying music and a drink. He'll chat up about anyone who comes close and doesn't seem to have anything to do.]
So what brings you here tonight?
#9
In over a year of this, he remembers very few troubles in liminal space, almost none of them the sort that any vigilant patrol could have forewarned against. But he has a second purpose - at each of the corpse-packed train cars, he pauses, walking through to place a hand on each body and murmur a terse but heartfelt rote benediction. There is almost no chance these bodies were ever truly living people. They're figments, like everything here. But he can't be sure, and that uncertainty imposes a duty.
no subject
So she slides out of her seat without excusing herself from the conversations that were going on, and steps out of the car, breathing in the fresh air. She wishes she could stand here forever- eyes closed, breathing in the nights cool air and listening to the bugs. But she had other matters to attend to. Were the Gods watching her here too? Regardless, it seemed wrong not to pay her respects to them. They died for something.
Joscelin can probably hear her coming- she's a no better sneak than a liar, and her dress drags through the grass. But she still gets close enough to catch him reaching in to touch the bodies. Cue the pointed stare.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Prompt #9 & #10
"I don't like the feel of this place."
"I'm not sure many would."
Nagi can't help but share the opinions of the little Pixie fluttering by her side. In a land of gray stones and dark wrought iron, the Pixie herself is a small bit of brightness and color next to her green-clad comrade.
It may be twilight but frankly she feels like she's been wandering for hours. Stumbling into the mausoleums doesn't help the sensation, the jarring effect of going from a static outside to the rush of a train car almost dizzying.
It's the first dead body the young summoner manages to stumble over that makes her first shout and then clap her hands quickly over her mouth to silence her own noise.
#10
If you don't count the place being a touch seedy, it's really almost like being back home for Nagi. ... Well, in a sense anyhow. It's the right time period but not the right setting, not for a country bumpkin like her.
"Oh oh, look at her hat, Nagi! Look, look!" The Pixie darts around the room, flittering around the woman in question as Nagi herself tries not to feel awkward. And more importantly tries not to react to her Pixie.
... Maybe she should have sealed her up for once.
#9
Still, in only a few seconds, he's zeroed in on the source, skidding to a halt near the dark-haired young woman in a flash of red and black.
"What is it?!"
(no subject)
(no subject)
(no subject)
(no subject)
(9)
When Liminal Space changes, he clambers on the gates, and finds his way into one of the spaces in top of the empty cars (the one that smells most strongly of flowers). There, he sits, cross-legged, hanging up the mistcloak on a nearby hook, and plays with a collection of stainless steel spoons. One is bent out of shape, and he Pushes and Pulls it around idly. The waiting room, as he'd heard others politely call it, was usually a place of minimal comfort, but the Trumps have decided to be kind to their pets - this pet, perhaps - and given him metal.
A few minutes later he starts playing with the other objects on the tables, sending them hurtling around the room, dangerously quick, laughing all the while. Good luck trying to get into this car.
Re: (9)
The flying silverware slows his exploration down, that's for sure. Shepard pauses by the spoons, debating for a moment - is this a natural phenomenon here, or is someone - yeah, okay, he sees him, and calls in without attempting the sterling obstacle course.
"Having a dinner party?"
(no subject)
10...ish?
So hop in, tell him where you're headed, and don't forget to tip.
no subject
"I'm looking for the Midnight Rose. Do you know it?"
Prompt #9
The magic that animated them was not his, nor was it demonic or mortal. Quite interesting. The other travelers were left to their own devices. They were of far less interest to him than the dead that lingered in this place.
no subject
Not to mention any time the dead started walking (never mind skittering around as though they were still alive) it generally meant trouble.
With a barely suppressed cough heralding his arrival, Tyrael stopped some distance behind Malthael, the angel's form difficult to pick out amidst the growing shadows. It'd taken some time to find him, the graveyard far larger than he had expected (and nausea forcing him to pause a number of times until his senses calmed).
"Malthael," he called unnecessarily (for undoubtedly his brother was well aware of his arrival already). The obvious question of 'What are you doing here?' was left unstated, the former archangel instead asked, "Have you found the source of this?" He gestured towards the grisly wildlife.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
liminal space; prose or spam welcome
The animals making train noises are just as strange, but strange seems to be the way things are done here. Natasha moves a body aside just to find that same corpse has wiggled it's way further into the pile. Without any literal wiggling that Natasha notices. At this point that might be preferable over what seems to be going on; the bodies were moved to make room for the train cars in the mausoleums, and while there is nothing directly pointing to anything more than poor judgement and other bizarre circumstances, Natasha keeps on edge.
Even when she finally chooses a train compartment to settle herself into, feet on the cushioned seat across from her. Natasha alternates between watching the various scenes roll by in the windows and glancing at the doorway in the direction of whomever you are, yes, you may as well come in.
no subject
[Eventually she steps into the mausoleum nearest her and seems utterly unsurprised to end up in a train car, her eyes darting back and forth once or twice before she acquiesces to the strange glamour of it all. She pushes her way into the train car and settles next to Natasha's feet on the opposite seat, giving her a steady, almost challenging look.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
#9
Shivering, he drifts down the verdant stretch between fences and absently pausing near the mausoleums to listen to others' conversations. But he can't bring himself to linger or focus for long without companionship.
no subject
"...this is even more dismal than usual, huh?" Alcuin hasn't talked too much about home, but... well, he doesn't need to. He's not seen the same things, certainly, but by the looks of it those graves don't look hypothetical for him either.
(no subject)
(no subject)
(no subject)
(no subject)
#9
Suzaku keeps himself apart from the travelers settling on the grass but watches to make sure no one's in danger. After a while, he's drawn to the darkened train cars, and he approaches with caution.
Death and mayhem are far from unfamiliar things, but he startles badly at seeing the piles of bodies inside the train. His voice, more or less unused for the better part of a year, sounds harsh, even through the mask. ]
Anyone! Is anyone alive in here?
[ He doesn't expect an answer, but the silence is still horrible. ]
no subject
[she sounds far less uneasy than she should be, for good reason. dead bodies and graveyards are like a second home away from home, kind of. even if she's used to livelier dead people]
(no subject)
APA is suzaku in his spiffy zero costume
he iiis, and uncomfortably warm, but OBLIGATIONS sob I need to get on icons
ME TOO
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
#9
She turns to board the train again, but there's no train at all, just-- "A mausoleum?"
Oh ew. Ew, ew, ew. She doesn't want to go into a grave. But she doesn't want to stay in the rest of the graveyard either! Steeling herself, Chie pokes her head into the mausoleum and prepares to run away shrieking.
It was the train again.
"Okay, but none of this makes any sense!"
no subject
"That's just how things are here. Liminal space never makes any sense."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)